Archive for April, 2013|Monthly archive page

Prière pour Zoë (Prayer for Zoë) – George Slobodzian

Prière pour Zoë (Prayer for Zoë) – George Slobodzian

Antoine Malette provides a French-language version of a striking poem from George Slobodzian’s Clinical Studies.

You can read Malette’s appreciation (in French) of Slobodzian’s poetry here.

My appreciation of Slobodzian’s poetry is here.

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Reflecting on “Romanticism” we see ourselves

imagesI post below two passages from the Preface to Lacoue-Labarthe’s and Nancy’s The Literary Absolute, a study of twelve texts from the Athenaeum (Jena:  1798-1800).

The original French version L’Absolu littéraire appeared in 1978, the English-language translation in 1988, i.e., a solid generation ago. The francophobic likely to reject the volume out of hand might be more  circumspect  did they know the investigation carried out by Lacoue-Labarthe and Nancy parallels the equally generally unacknowledged thinking of the German-language scholars Dieter Henrich and Manfred Frank and England’s Andrew Bowie. Those who find such matters too philosophical or overly-intellectual were already answered in the Athenaeum:  “If some mystical art lovers who think of every criticism as a dissection and every dissection as a destruction of pleasure were to think logically, then ‘wow!’ would be the best criticism of the greatest works of art….”—Friedrich Schlegel, Critical Fragments, 57.

A veritable romantic unconscious is discernible today, in most of the central motifs of our “modernity” [or “postmodernity”]. Not the least result of romanticism’s indefinable character is the way it has allowed this so-called modernity [or postmodernity] to use romanticism as a foil, without ever recognizing–or in order not to recognize–that it has done little more than rehash romanticism’s discoveries.

…it is not difficult to arrive at the derivatives of these romantic texts, which still delimit our horizon. From the idea of a possible formalization of literature (or of cultural production in general) to the use of linguistic models (and a model based on the principle of auto-structuration of language); from an analytic approach to works based on the hypothesis of auto-engendering to the aggravation of the problematic of a subject permanently rejecting subjectivism (that of inspiration, for example, or the ineffable, or the function of the author, etc.); from this problematic of the (speaking or writing) subject to a general theory of the historical or social subject; from a belief that the work’s conditions of production or fabrication are inscribed within it to the thesis of a dissolution of all processes of production in the abyss of the subject. In short, we ourselves are implicated in all that determines both literature as auto-critique and criticism as literature. Our own image comes back to us from the mirror of the literary absolute. And the massive truth flung back at us is that we have not left the era of the Subject.

Poem newly up at the BookThug blog for Poetry Month

March End PrillEver wondered who the guy on the cover of March End Prill is and what he’s got to do with the book? BookThug has posted  “What the Hell…” that might help clarify the issue, here.

Thatcher’s Ghost, Bill 85, and a Poetical Rejoinder

Though Margaret Thatcher may have been struck down, her mean-spirited spectre still haunts the so-called developed world: to wit, the socially retrograde Bill 85 about to be passed in Saskatchewan. As a true-born son, I can’t bear to bite my tongue while my erstwhile homeland goes against everything that made it a social beacon in Canada for decades. I therefore append the poem “Reasons Why” from Ladonian Magnitudes (DC Books, 1996) as reminder of different, arguably better, times. Allusive obscurities can be clarified via Google…

Et illud transit

 

Reasons Why

for Laszlo Gefin, ‘56er

 

“He’s some kinda Universal Welfare Tommy Douglasite!”

Because in the early Seventies National Geographic called Saskatchewan the only communist province in North America

Because Saskatchewan is not Alberta, settled by a dispossessed deported peasantry, not American ranchers

Because Sask Student Loans helped me study philosophy and poetry at home and whose flexibility kept me from defaulting so I could pay them back no problem

Because I had and have to pay for my glasses and dentist

Because in the Great Depression just a boy Tommy Douglas broke his arm—The doctor set it for free

Because in the Dirty Thirties everybody was literally dirt poor plagued by drought and locusts

Because hobos went door to door asking for water, onion, potato, and carrot to make themselves some Nail Soup

Because their Volkswagen was the Bennett Buggy

Because at the Regina Riot the police gunned down the workless on their cross-country way to complain at the capital

Because of old Ukrainian collective farmers way out in the country

Because my friends drove red Ladas

Because my Uncle’s antique cars are in Who Has Seen the Wind? we saw at its premiere—he took us to a threshing bee where old cars were raced to see which was slowest

Because I prefer Russian vodka over all

Because my grandmother melted brown sugar and caraway into moonshine and we toasted each other “God bless you!” in Hungarian

Because my dad got beat up at school not because he didn’t speak English but because he didn’t speak Ukrainian

Because the only Hungarian I learned was curses

Because my Great Uncle Peter and Aunt Julia are DPs from Bukovina

Because he rode the rails walked the dusty grid roads and slept on hay in barns

Because Tommy Douglas told a parable about Country Mice electing Fat Cats

Because they told me You know the Truth! You should go into politics!

Because the British Arts Council and the National Endowment for the Arts are modelled after the Saskatchewan Arts Board

Because over two dozen of Canada’s social programs originate in Saskatchewan

Because we have a China Town with street signs in Chinese in Regina (but no signs in Cree for half the population)

Because fibre optics was invented there a necessary condition for the Global Village

Because the first television broadcast was made from Saskatoon

Because of Saskatoon Berries and Saskatoon pie, syrup, jam, chocolates, and spirits

Because I sat on a bench in Victoria Park one spring Saturday morning reading Kiekegaard and Pound’s ABC of Reading and Selected Poems understanding nothing

Because lying out on the sunny lawn fifteen I read “Not how the world is is the mystical but that it is” and understood

Because John Newlove the Regina Public Library’s writer-in-residence gave me his Fatman and reading it in the shade on the white picnic table on the patio in our backyard thought “I can do that!” and wrote my first three poems

Because John Cage conducted a workshop at Emma Lake July 1965

Because Saskatchewan is the bed of a shallow prehistoric sea

Because weather systems of bison thundered over the land turned only by prairie dog villages of millions

Because my brother the doctor is walling his house in the capital with stones picked from farmers’ fields

Because I grew up on Coldwell Road named after a signee of the Regina Manifesto

Because the Regina Manifesto calls for the downfall of capitalism

Because of  T the anarchist with guns in his walls, washing machine cleaned with Spic ‘n Span between each load, locked up every Royal Visit

Because another signee was named Wordsworth

Because at the Summer School of the Arts on Echo Lake in an old sanitarium we were taught to write as we talk in our idiom as we phrase it

Because my first love’s name’s etymology is Dionysius’ Mark and I asked her out once for every line in a sonnet

Because Modern poetry starts when the winter night sky over the prairies makes plain no single theory can encompass them

Because the tornado’s vortex is an ideogram for inspiration

Because the province’s borders are absolutely arbitrarily geometrical

Because verse’s root is Latin for a farmer’s ploughing

Because of winters 8 months long and in their middle rising in the dark and coming home in the dark for six weeks down to -70 with the windchill and snow banks white dunes up to the eaves

Because on cold black January dawns, hours reading Hegel over a mug of coffee, cream and sugar, and a sticky steaming cinnamon bun, in a violet pink and gold yellow aurora the sun broke

Because Tommy Douglas’ rhetoric flowed inspired by unconscious Liberation Theology Christianity and peasant poverty

Because my grandmother had her poppies rooted up by the RCMP

Because you didn’t go to the Indian parts of town

Because everyone laughs when I say “I’m from Regina”

Because everyone’s been through Regina

Because of the natural genius of friends who renovated their home and own furniture and keep two dogs, four cats, fish, and birds, and a baby boy and a garden lusher than two square metres of jungle

Because my brother-in-law built his own furniture and grand country house from a hole in the ground up with the relatives beside a Stone Age Saskatoon Berry grove

Because the Saskatoon is the Kiwi of the 21st Century

Because I was adopted and can invent my blood-parents and their lives

Because the Conservatives thought you could run a province like a used-car lot and now most are jailed for their clumsy corruption

Because I left with hundreds of thousands of others needing what home could not supply

Because my grandfather fought at Ypres first gas attack, returned and was wounded three more times and enlisted in the Second War, dead before I was born

Because my parents sat on the steps watching the skies waiting during the Cuban Missile Crisis

Because my father had to choose between staying on the farm or getting a job and never became an engineer

Because the Saskatchewan Arts Board paid for my four years’ studies in Montreal and my first trip to Europe which inspired my Budapest Suites and there I met my dead brother, drank poppy tea, and played surrealist parlour games all night

Because everybody called me the Ambassador from Saskatchewan

Because growing hemp, food and cash crops, we could provide our own food, shelter, housing, clothing, and paper—We should fill all the uranium mines in the north with concrete (two-thirds of the world’s uranium!)—Make greenhouses to grow whatever we can’t above out of all the abandoned potash mines (two thirds of the world’s potash!)—The rivers, the sun, and the wind might light our nights and heat our winterhomes—If a million people can’t get their acts together to supply their basic needs, what’re they doing?

Because rocking chair anarchist Les said smoking a cone of home grown “Better old folks homes in Estevan than swimming pools in Bogota!”

Because when I visited the Louvre with my lousy French I felt like I’d been raised in a hole in the mud under a plastic garbage bag flapping in the wind

Because I was born not in a half savage country but an utterly barbaric one

Because the Lab Building at the U of R is partly a maze for testing LSD subjects

Because one psych prof would join the hands of his class in a circle and try to levitate the Ad Hum Bldg

Because I think I remember the last Mass said in Latin at our church when I was still a babe in arms, the smell of incense

Because ‘Saskatchewan’ can translate Heraclitus on time into Cree

 

 

(Montreal March 1998)

A French-language notice of the German translation of George Slobodzian’s poetry!

A French-language notice of the German translation of George Slobodzian’s poetry!

credit:  Antoine Malette

credit: Antoine Malette

Antoine Malette has posted some illuminating and appreciative words concerning the poetry of George Slobodzian and the just published German-language translation of his poems Dein heimliches Blut auf meiner glücklichen Zunge (trans. Jürgen Heizmann).

Good to see Slobodzian get some well-deserved polyglot appreciation!